Discussing the black sheep of the Godfather trilogy: its faults and its virtues. Michael Corleone's redemption and Francis Ford Coppola's intentions are explored.
Three regular-schmoes-become-super-heroes films with similar plots are put up against each other and I determine which tackles its subject matter best.
Discussing the commonalities between films such as Avatar, Dances With Wolves, Platoon, and The Hurt Locker and their anti-war messages.
One of the most highly controversial "Best Picture" winners in Oscar history: how the hell did it happen? My "theory" on the matter.
Comparing Oscar-winning films Hugo and The Artist and their mutual affection for the medium itself.
Reflections on films dealing with the Holocaust, before and after: The Pianist, Schindler’s List, and The Reader.
Thoughts on actor Jason Miller and his most-known role as Damien Karras in the 1973 film The Exorcist.
Inspired by Harold Camping’s 2011 doomsday prophecy, considering Alex Proyas’ film Knowing and its apocalyptic vision.
On the 25th anniversary of Back to the Future, I think back to the first time I ever watched it.
Getting some stuff off my chest over the portrayal of the villain in Iron Man 3.
A dark day for movie lovers. I share a few words on the loss of film critic Roger Ebert.
He's the most prolific Bond so far, though his entries are by far the cheesiest. My two cents on Moore's tour of duty as the iconic secret agent.
A parody review: if controversial film critic Armond White reviewed Star Wars back in 1977.
Before Nolan was locked in for the Dark Knight Rises, I had hopes, concerns, and predictions for the third film in the Dark Knight Trilogy.